Keep the channels open LightFieldStudios/Getty Images Why your next soundbar should have Dolby Atmos.
#Sony music center speakers how to#
#Sony music center speakers movie#
If you’ve been to see a blockbuster action movie in the theaters, you’ve probably already heard what Dolby Atmos can do for movies, with its immersive, three-dimensional sound field. The most popular of these formats is Dolby Atmos Music, and it can make good ol’ stereo sound like mono AM radio.īut what exactly is Dolby Atmos Music? How is it different than stereo? And what kind of gear do you need to listen to it at home and on the go? We’ve got everything you need to know to get on the Dolby Atmos Music train. But over the past few years, there’s been a growing movement in the recording industry toward so-called spatial audio formats. Whether we get our music through streaming services, satellite radio, CDs, or vinyl, most of it has been recorded using the time-honored technique of two-channel stereo. While fast electronic rhythms and hip-hop become more fussy. It works better on some recordings than others, we think it especially has something to do with acoustic ballads and country, and with classical. With music in stereo, you can also choose whether you want to recreate in just stereo, or whether you activate Immersive AE to inflate the stereo track into three dimensions. If film and music are equally important to you, this is a great choice. It is on music that this system really excels in comparison to the soundbars. The sound hangs in the air, and spreads outwards to the sides of the room. It sounds good from the drumhead, on the whole this gives a pretty magnificent music experience.Īn acoustic live performance of Dua Lipa in stereo gets a completely different soundscape with the HT-A9 than with a soundbar. It also pulls well in the brass winds, and the percussion has a large and beautiful sound base. The virtual speaker channels combined with the height channels really do the trick. Just even more gigantic, than with a 5.1 setup. Although there are no height channels on the soundtrack, it is effectively scaled up to three dimensions, without sounding artificial.
The horn music is reproduced in a holographic and enveloping hemisphere of sound. Together with the largest sub, the sound system provides an explosive home cinema experience, and such a gigantic sound image, that we can not quite see which soundboard will be able to compete. It seems a bit pointless to spend so much money on the speakers, and then have to save some small money on the bass speaker. If you want to save some money, you can manage in a smaller room with HT-SW3, but the larger SW5 gives so much more push in the bottom octets that we would put the extra money on the table without blinking. The car race at the beginning of the film has violent collisions and screaming V8 engines, and the sound here is greater than with any soundboard we can come up with – including Sony’s own HT-A7000.Īlthough the bass reproduction is perfectly fine from the speakers alone, there will be no real cinema experiences without a subwoofer. Even without a subwoofer, the HT-SA9 provides an energetic sound experience, with clear dialogues and lots of life and stir in the special effects. Ready Player One on 4K Blu-ray offers an explosive soundtrack, with better dynamics and more air than you get from compressed stream formats. Photo: Warner Studios Giant sound on film
0 kommentar(er)
